I would note that there have been many whose works have expressed a bent to Freemen and
autodiathism.
What I don't understand is how it can be that people such as Joss Wheadon (Firefly/Serenity) could express such clear ideals as those of what I have labeled the "Principles of Proper Human Relations", yet in their everyday lives wax all stupid-lefty. Honest to God, it makes the least sense to me, especially considering the ways in which such people behave like spoile, tantrum-pitching toddlers in virtually every avenue of their lives. They rant on and on, as we are all too familiar, about their masturbatory fantasies of collectivist utopia, yet produce films, for example, that espouse all the virtues of real liberty, vis-à-vis the pretty slavery that most people conflate with actual freedom.
Such people are so utterly intransigent in virtually everything they believe, yet will produce films and other works that run wildly against everything they claim to hold dear as values. This would make sense, were those expressions sarcastically offered with the idea that they be mocked and reviled. But that is not the case. And the expressions are not superficial; one can readily see a deep truth in what has been formulated and set forth. So how is it that given these very fine contrivances of storylines that those responsible are such utterly retarded dicks in every other aspect of life? It is so self-contradictory as to leave my mind rebelling at it. One would think that such beating, flailing sorts would never put out anything that would suggest anything like responsibility for one's actions and feelings, much less the ideas of property, rights, and all the other great virtues
and costs of liberty.
To my eyes, putting such work out in the ways that I have seen is precisely giving credibility to that which the authors and architects claim to hate with the most bitter venom. One would think not only that they would not produce such work, but would confine themselves to promoting through the telling of tales the great virtues of communism to the exclusion of all else. One would also expect that such infantile humans would not even have a grasp of the realities of freedom, yet some of them have demonstrated a clear grasp. Are those examples mere happenstance? How could it be? It appears statistically just this side of impossible for that many disparate elements of that which is violently hated by a man could haphazardly come in the same work, much less so with the correct structuring of elements relative to each other.
So what is the story there? How would a screaming weasel like Wheadon vomit forth work that drips of the Freeman while simultaneously exposing the Weakman and Tyrant for what they are in the most non-equivocating terms? I'd ask whether I've gone insane, but we all know that that horse bolted the stable long ago.
My relevant point here is that even though Tolkien concocted his Middle Earth, does it follow that he was a proponent of actual liberty, given what I mention above? I don't know since I'm not a Tolkien fan. I read The Hobbit and it was OK, but to be honest it didn't really float my boat. Did Tolkien's outer manifestations of work really reflect his inner state? I'm asking as a matter of my ignorance of the man.
Happy Thanksgiving, God bless freedom, and Mors Tyrannis.
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