Marenco
07-22-2016, 12:49 AM
Writing as Resistance
WARSAW, Poland—Dreary, Soviet-style concrete apartments rise up where 68 Nowolipki St. was during World War II. It was at this spot, although there is no marker to record the event, that some of the milk cans and metal boxes crammed full of essays, reports, official communiqués, wall posters, pictures, drawings and diaries that recorded life in the Warsaw ghetto were unearthed from the rubble shortly after the war.
The cache of material, known as the Oyneg Shabes Archive, was buried by writers, led by the historian Emanuel Ringelblum, as German occupation forces were liquidating the ghetto. They meticulously documented all aspects of life in the ghetto and the annihilation of the Jews by the Nazis.
Writing was an act of resistance and faith. It affirmed the belief that one day, a day the writers knew they would probably never see, these words would evoke pity, understanding and outrage and provide wisdom. They struggled to make sense of the stark contrasts of good, evil and indifference. They explored what it meant to live a life of meaning in the face of death. They did not know if their writing would survive. Some of the archive was never found. They did not know who, if anyone, would read their work. But they wrote with a messianic fury. Their words were the last link to the living.
Dawid Graber hastily buried some of the archives in August 1942 as deportations in the ghetto were being accelerated—between July 22 and Sept. 12 some 300,000 Jews were driven out of the ghetto to the gas chambers at Treblinka. He wrote: “What we were unable to cry and shriek out to the world we buried in the ground. I would love to see the moment in which the great treasure will be dug up and scream the truth at the world. So the world may know all.” He ends with the words: “We may now die in peace. We fulfilled our mission. May history attest for us.”
Ringelblum formed his small army of writers clandestinely. Nazi discovery of any writer’s involvement meant his or her immediate execution or deportation to a death camp.
Ringelblum did not want a hagiography of the Jews. He demanded “the whole truth … however bitter.” He admonished his writers to eschew preconceptions, even about the Nazis. He called for them to describe the horror around them with an “epic calm … the calm of the graveyard.” He told them to capture “what the common man experienced, thought, and suffered.” The job of the writer, he said, was to document every aspect of reality, including the degeneration and immorality that beset many of the Jews trapped in the ghetto. Writers should collect enough fragments of life, with enough dispassion, to allow readers to sense the ghetto’s totality.
For more: http://www.truthdig.com/report/item/writing_as_resistance_20160717
WARSAW, Poland—Dreary, Soviet-style concrete apartments rise up where 68 Nowolipki St. was during World War II. It was at this spot, although there is no marker to record the event, that some of the milk cans and metal boxes crammed full of essays, reports, official communiqués, wall posters, pictures, drawings and diaries that recorded life in the Warsaw ghetto were unearthed from the rubble shortly after the war.
The cache of material, known as the Oyneg Shabes Archive, was buried by writers, led by the historian Emanuel Ringelblum, as German occupation forces were liquidating the ghetto. They meticulously documented all aspects of life in the ghetto and the annihilation of the Jews by the Nazis.
Writing was an act of resistance and faith. It affirmed the belief that one day, a day the writers knew they would probably never see, these words would evoke pity, understanding and outrage and provide wisdom. They struggled to make sense of the stark contrasts of good, evil and indifference. They explored what it meant to live a life of meaning in the face of death. They did not know if their writing would survive. Some of the archive was never found. They did not know who, if anyone, would read their work. But they wrote with a messianic fury. Their words were the last link to the living.
Dawid Graber hastily buried some of the archives in August 1942 as deportations in the ghetto were being accelerated—between July 22 and Sept. 12 some 300,000 Jews were driven out of the ghetto to the gas chambers at Treblinka. He wrote: “What we were unable to cry and shriek out to the world we buried in the ground. I would love to see the moment in which the great treasure will be dug up and scream the truth at the world. So the world may know all.” He ends with the words: “We may now die in peace. We fulfilled our mission. May history attest for us.”
Ringelblum formed his small army of writers clandestinely. Nazi discovery of any writer’s involvement meant his or her immediate execution or deportation to a death camp.
Ringelblum did not want a hagiography of the Jews. He demanded “the whole truth … however bitter.” He admonished his writers to eschew preconceptions, even about the Nazis. He called for them to describe the horror around them with an “epic calm … the calm of the graveyard.” He told them to capture “what the common man experienced, thought, and suffered.” The job of the writer, he said, was to document every aspect of reality, including the degeneration and immorality that beset many of the Jews trapped in the ghetto. Writers should collect enough fragments of life, with enough dispassion, to allow readers to sense the ghetto’s totality.
For more: http://www.truthdig.com/report/item/writing_as_resistance_20160717